Selena Gomez en Español: Watch 9 Times She’s Connected to Her Latin Roots

The follow-up to pop superstar Selena Gomez’s 2015 Revival album is “finally done,” she recently revealed. While a release date hasn’t been announced yet, another question that’s surrounding the hotly anticipated record is the direction in which Gomez will take with it. The most recent singles that she’s jumped on have seen her cross over to the Latin music world.

With her recent stint in Latin music, a feature on DJ Snake’s “Taki Taki”  alongside Ozuna, Gomez notched a No. 1 hit on both Billboard’s Hot Latin Songs chart for 13 nonconsecutive weeks and the Latin Rhythm Airplay chart for two consecutive weeks last year. Meanwhile, this year’s “I Can’t Get Enough” was a top 20 hit on the Latin Pop Songs chart.

But it’s not the first time Gomez has dabbled in Spanish. Since breaking out with 2009’s Kiss & Tell, the multi-hyphenate has embraced her Mexican American roots many times, as we can see below.

“Natural” (2009)

Even though a Latin music version of Gomez and the Scene’s breakthrough hit “Naturally” never surfaced, while promoting 2009’s Kiss & Tell album in Spain, she would briefly sing the song for fans with Spanish-language  lyrics. Now the only evidence of “Natural” exists in YouTube clips that were recorded at those special events. The potential for Gomez to take on the Latin music scene earlier was there. 

“Un Año Sin Lluvia” (2010)

For her second album with the Scene, 2010’s A Year Without Rain, Gomez released her first song fully in Spanish, “Un Año Sin Lluvia.” She translated her thirst for romance on the electro-pop ballad into a sultry performance and re-recorded the music video well while still looking like a goddess. The wait for Gomez to finally embrace her Mexican roots in her music was over.

“Fantasma de Amor” (2010)

Another cut from Gomez and the Scene’s A Year Without Rain, “Ghost of You,” was translated into Spanish as “Fantasma de Amor.” Unlike “Un Año Sin Lluvia,” the song was never formally released but fortunately the full mix exists on YouTube. Gomez proves that she can deliver emotional content in Spanish as she fights off the feelings of an old flame that haunt her.   

“Dices” (2011)

“Who Says,” the lead single from Gomez’s third and final album with the Scene, 2011’s When the Sun Goes Down, was recorded in Spanish as “Dices.” Her empowering power ballad was able to uplift a whole other audience with this translation — it was important that one of the most meaningful songs in Gomez’s music catalog could reach and connect with her Latin American fans as well.

“Bidi Bidi Bom Bom” (2012)

Gomez, who was named after the late and great Tejano music legend Selena Quintanilla-Pérez, actually got to record with her namesake’s voice on the 2012 remix album Enamorada de Ti. Quintanilla’s family especially selected Gomez to sing the classic “Bidi Bidi Bom Bom” in a posthumous duet with Selena. Gomez complemented her idol beautifully, with vocals that breathed new life into the song.

“Más” (2014)

The Spanish-language version of “More,” one of the songs on Gomez and the Scene’s first album, 2009’s Kiss & Tell, surfaced as “Más” on her greatest hits set, 2014’s For You. As a gift to fans on that parting album with Hollywood Records, she gave them the punchy, pop-rock anthem in a different light. If only “Natural” could have been released that way as well, but we’ll take what we can get.

“Me & My Girls” (2015)

On her debut album with Interscope Records, 2015’s Revival, Gomez didn’t record anything fully in Spanish, but she explored Latin music influences on the songs “Body Heat” and “Me & My Girls.” With the latter track, to show off her more mature image, she sings in Spanish, “Don’t fuck with us.” Gomez performed “Me & My Girls” at the 2015 Victoria’s Secret Fashion Show, and surprisingly wasn’t censored.

“Taki Taki” (2018)

Gomez really made a Splash in Latin music last year with her feature on DJ Snake’s “Taki Taki” alongside Puerto Rican superstar Ozuna and Latina rapper Cardi B. On the reggaeton/EDM hybrid banger, she comes through with a verse in Spanglish, offering to get the fiesta started. The surprise collaboration connected with fans around the globe and resulted in Gomez’s first No. 1 on the Hot Latin Songs chart.

“I Can’t Get Enough” (2019)

After getting a taste of success in Latin music with “Taki Taki,” Gomez teamed up with Puerto Rican producer Tainy, pop producer Benny Blanco, and Colombian superstar J Balvin on “I Can’t Get Enough.” She doesn’t sing in Spanish on the hypnotic reggaeton track, but she represents her Chicana culture well with her giant hoop earrings on in the slumber party music video. We can’t get enough of Latina Selena.

Research Shows That the Clothes You Wear Actually Change the Way You Perform

If you’ve ever watched the rehearsal process of a play, then you know just how powerful clothes are. Even in the very early stages of a project, professional actors will come to practice in certain clothing pieces that make them feel more like their character. Perhaps it’s an old pair of shoes, a long and heavy skirt, or a bandana that helps them get just the right swagger, grace, or edge.

A few weeks later, when they’re closer to opening, they’ll have an actual dress rehearsal with their real costumes. It’s pretty amazing to see how the right clothes bring the performances up to a whole new level and transform the actor into the character! As business professionals, we can actually learn a lot from this.

Like it or not, your clothes and presentation communicate volumes about you as a person. The question is not whether you care about fashion, it’s more about what you’re communicating intentionally or unconsciously through your fashion choices. Just as the actor in the right costume moves and speaks differently, so does the everyday person.

Your clothes tell a story about you. If you want to show that your work is clean, sharp, and to the point, you need to dress in clean lines, sharp creases, and (yes) points on your shoes and tie. Even the way you wear your glasses speaks volumes about you and your work!

What Do the Details Show?

Research shows that you can tell a lot about someone’s personality, politics, status, age and income just from looking at a photo of their shoes.

Did you ever notice that when President Barack Obama addressed a crowd of working class Americans, he would speak with no jacket and his sleeves rolled up? That silently and instantly communicated to the audience that he too was a hard worker.

You might remember when a 44 page dress code published by Swiss bank UBS went viral. The obsessive stipulations detailed everything from the sensible (“If you wear a watch, it suggests reliability and that punctuality is of great concern to you”) to the downright invasive (employees were instructed on how to shower and apply lotion, how to wear their underwear, and told not to eat garlic during the week).

They may have been control freaks, but UBS got one thing right: every detail about your presentation communicates something.

When you’re dressing or grooming, consider what it says about you and whether it’s in line with the message you want to communicate. There’s no right or wrong. It’s all about context. A tie can make you look reliable and rooted in tradition. This might be important at an investment firm, where clients want to know that you’re serious about stewarding their capital. But it can also come off as stuffy and resistant to change, which may be inappropriate for a tech startup.

Your Clothing Impacts Your Thinking

Of course, dressing smart is also important for your confidence and sense of self-empowerment. But your style does more than just send messages, to your mind or to others. New research shows it actually impacts how you think. Professional dress, one study found, increases abstract thinking and gives people a broader perspective. So that tie might actually be switching on your creativity button.

“The formality of clothing might not only influence the way others perceive a person, and how people perceive themselves, but could influence decision making in important ways through its influence on processing style,” the study says.

Professional attire creates social distance. When we are more socially distant, we tend to think in more distant, abstract terms. In socially distant settings we address people by their title, for instance, rather than the more intimate first name.

“Even after controlling for socioeconomic status, students wearing more formal clothing showed stronger inclinations towards abstract processing.”


Usually we process visual details instantaneously through a process called thin-slicing. That’s when the brain makes millisecond judgements based on new stimulus. It often happens without us even knowing. We might just get a feeling that we don’t trust someone, or that someone else is steady and reliable. We might not even know why.

That gut feeling, commonly called intuition or a first impression, is really part of the very fast-paced mental process of thin-slicing. It’s how we continually judge books by their covers, all day, every day.

So choose your personal presentation with care. Presentation includes not only your clothes, but your accessories, hairstyle, fragrance, posture, body language, tone of voice, and the level of energy with which you move and speak. Think of the person that you need to be in any particular situation. Then dress, groom, and accessorize in a way that helps you mentally step into that personality.

Are you marching in there to get things done? Put on something red, roll up your sleeves and speak in a commanding voice. Are you making social connections at a gala event? Go for suave, but not workplace formal. Dress to feel attractive. Speak in a smooth tone, and let one shoulder relax.

If you’re loafing around on a long weekend with half a box of pizza, you can probably get away with breaking out the frumpy comfortables.

Taking intentional command of how you dress and present is a good step in empowering yourself, accomplishing your goals, and living a more lucid life at the helm of your decisions. So pay attention! Remember, all the world’s a stage.

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